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Whilst influencing a whole generation of bands making up today's hit Garage sound, they made (and continue to make) a series of remarkable and acclaimed records, all collected here for the first time on one great CD.

The classics, the driving-collectors-mad rarities, their latest and perhaps greatest recordings. Anyone with any interest in the driving Garage Punk sound that's sweeping the world cannot miss this essential release! It's the real deal, Lucille!

In God I Trust / Antenna Surprise / That's The Story Of Your Life / Static / Before I Go / Wonder If / It Can Never Be / I've Seen Darker Nights / Gone Away Girl / Please Don't Cry / L1_Azy Bones / Thrown Away The Key / Don't Let Her Dark Your Door Again / She's A Robber / Hey Girl (Look What You've Done) / Shipwreck / I'll Rest / Lost Or Found / Buzz Buzz (Yeh Yeh) / Baby Come Back / World Of Stone / None Of This / Girls / Who'll Be The Next In Line / Days Go Slowly By / Never Make Me Blue / It's My Pride

With input from Harry (at this time being hailed as a genius by The Beatles and writing songs for everyone from The Monkees and The Turtles on down) the band embarked on the semi-conceptual album Miss Butters , an amazing semi-lost gem of West Coast psych-pop genius and certainly on a par with Harry Nilsson's own records of the period.

Birthday / Dirgeday / Melancholy Vaudeville Man / Any Other Baby / Sideshow / Mrs. Mcpheeny (Has Flu In Her Chest And Has Needed A Rest For So Long) / Butters Lament / Simple Life / Slippin' Thru My Fingers / Nine To Three / Lesson Book Life / Nickelodeon Music / Miss Butters / Do You Have The Time? / Keepin' A Secret / Slippin' Thru My Fingers / Miss Butters / He Spins Around / She Had To Fly

The band cut three singles in 1967 and 68, written and fronted by Pete Dello who promptly quit after Maggie hit and embarked on a fascinating and complex solo career. Not to be outdone, the band re-grouped and cut three further singles and an album that almost never got released. The story goes that upon their split in early 1970, somebody at their label, Deram Records, heard the recordings and demanded that it be released. And hence it was, posthumously and to little fanfare in 1970.

Blending the kind of pure, crystalline folk-tinged baroque pop that had characterised most of their singles with flashes of psychedelia, country and bubblegum, the twelve songs that make up Story are uniformly stunning creations, played with skill and confidence, arranged for strings and woodwind and blessed with a sympathetic, understated production. We’ve added all eleven non-album Deram single sides, restored the original album artwork and told the Honeybus story with input from the band themselves.

Story / Black Mourning Band / Scarlet Lady / Fresher Than the Sweetness I / Water / He Was Columbus / Ceilings No 1 / Under The Silent Tree / She S Out There / She Said Yes / I Remember Caroline / How Long / Ceilings No 2 / Bonus Tracks - Delighted To See You / The Breaking Up Scene / (Do I Figure) In Your Life / Throw My Love Away / I Can’t Let Maggie Go / Tender Are The Ashes / Girl Of Independent Means / How Long (Single Version) / She Sold Blackpool Rock / Would You Believe / The Right To Choose

Finding herself in London as guest and bosom buddy of Richard Harris, himself enjoying a spin-off career as a hugely successful pop star at the time, Kathe found herself singing Mark Lester s vocal parts on Where Is Love? for the soon-to-be-massive Oliver soundtrack. She was snapped up by Deram where she was teamed up with in-house whiz-kid producer Wayne Bickerton, arranger supreme John Cameron and the cream of London session players. Kathe wrote 10 of the album s 13 tracks, which recall all manner of contemporary female vocalists of the time, from Marianne Faithfull to Sandie Shaw to Dana Gillespie (with whom Kathe shared Bickerton s production savvy, not to mention a couple of his tunes). She also turns in a lump-to-the-throat reading of Cameron s perennial If I Thought You d Ever Change Your Mind.

Housed in a striking sleeve which featured gushing notes by the likes of Peter Sellers, Rex Harrison and Simon Dee and named after a line of poetry bestowed on her by Richard Harris himself, Run the Length Of Your Wildness disappeared as quickly as it had come, only being picked up on through internet exposure over the last year or so. Produced in conjunction with Kathe herself, Rev-Ola is proud, nay humbled, to present the first ever reissue of this lost late 60s femme pop classic!

Primrose Hill/ Ring Of String / Only A Fool / Why / Bossa Nova / Tears In My Eyes / If I Thought You D Ever Change / Your Mind / Promise Of Something New / Once There Was You / Part Of Yesterday / I Ll Never Forget / Run the Length Of Your Wildness / I Love You (Though You Are Not Here)

The writer of many of the band's early classics including the timeless and much-covered Feelin Alright? Mason was the first to leave due to the classic 'musical differences. Moving to the US, his first solo album was one of the many recordings to come out of the Leon Russell/Delaney & Bonnie axis in1969/1970. Alone Together contains excellent, tightly constructed pop songs, redolent of his singles for Traffic, albeit extended in the then new style, built on a fat bed of acoustic guitars with tasteful electric guitar accents.

Mason's vocals are embellished with harmonies from Rita Coolidge, Claudia Lennear and Delaney & Bonnie. Besides the hit Only You Know and I Know , (also a hit for Delaney & Bonnie) highlights include the bouncy gospel-inflected Waitin' On You and the banjo-bejeweled Just a Song . Look at You Look at Me and the wonderfully wah-wahed Shouldn't Have Took More Than You Gave are reminiscent of Traffic, whose drummer, Jim Capaldi is among the all-star cast assembled here.

Only You Know And I Know / Can't’stop Worrying, Can't’stop Loving / Waitin' On You / Shouldn't Have Took More / Than You Gave / World In Changes / Sad And Deep As You / Just A Song / Look At You, Look At Me

He certainly prefigured what was to become Rockabilly, though his subjects were perhaps too regional and ethnic for a mainstream breakthrough into the nascent Rock and Roll... unperturbed, Link Davis turned out some of the most rockin' sides in all country music! Hit after hit, and lucrative featured session work, followed, right through until his death. Here are no less then 30 of the craziest sides by this classic artist, blending R&B, Country, and the eerie edge of his own Cajun heritage into a unique and rockin' blend. Gumbo Ya Ya indeed!

Big Mamou / Pretty Little / Lonely Heart / Time Will Tell / Mamou Waltz / Hey, Garcon! / Falling For You / Gumbo Ya-Ya (Everybody Talks At Once) / Crawfish Crawl / You're Little But You're / Mama Say No / You Show Up Missing / Every Time I Pass Your Door / Cajun Love / Kajalena / Va T'cacher (Go Hide Yourself) / Joe Turner / Have You Heard The News / Grasshopper / Sixteen Chicks / Grasshopper Rock / Trucker From Tennessee / Don't Big Shot Me / Cockroach / Slippin' And Slidin' Sometimes / Bon-Ton-Ru-La (Let The Good Times Roll / Bonus Tracks - Rice & Gravy Blues / You Played Around / Rice & Gravy Boogie / San Antonio Blues

Acclaimed as torch bearers in the tradition of Big Star and the Raspberries, they got the critical approval but none of the commercial breaks, which again seems to be in that hallowed tradition! In a new age where Big Star are bigger than sliced bread we are presenting for your pleasure The Scruffs

Break The Ice / My Mind / You Re No Fun / Frozen Girls / I Ve Got A Way / Tragedy / This Thursday / Revenge / She Say Yea / Tommy Gun / Sad Café / I’mA Failure / Bedtime Stories Bonus Tracks (Recorded At Shoe Studios) / She Say Yea / Break The Ice

In those early years Dana got to know many of the top bands and people in the music business, appearing on Ready Steady Go and other cool TV shows of the era along with the legends of the British pop explosion. Following up our classic reissue of Dana's US-only album, Foolish Seasons, here is the UK only counterpart, 1968's Box Of Surprises! Again featuring the same cast of 1960s Brit Pop legends and morphing seamlessly from her baroque pop and freak-beat styles to sophisticated blues, this album is a perfect companion piece to Box Of Surprises, and is a Long overdue reissue!

Box Of Surprises / Like I'm A Clown / Taffy / When Darkness Fell / For David, The Next Day / If You're Dreaming / Foolish Seasons / Grecian Ode By Chasing Dreams / I Was A Book / Describing You / I Would Cry / Bonus Tracks - Original Pye Singles / Donna Donna / It's No Use Saying It / Thank You Boy / You're A Heartbreak Man / Pay You Back With Interes / Adam Can You Beat That

Yet there is so much more here, two international hit singles, garage blues and psychedelic jams to match anyone. Produced by bizarrely unsung dylan/zappa/velvets producer tom wilson. This is as amazing a forgotten gem as the 2 albums them made on tower around the same time!

Winds Of Change / Poem By The Sea / Paint It Black / Black Plague / Yes I’mExperienced / San Franciscan Nights / Man Woman / Hotel Hell / Good Times / Anything / It S All Meat- Bonus Tracks - Good Times (Mono Version) / Ain’t That So (Mono Version) / San Franciscan Nights (Mono Version) / Gratefully Dead (Mono Version)

He sang the Oscar-winning the Windmills Of Your Mind, the theme tune to the 1967 smash movie The Thomas Crown Affair, and released a string of albums in the 1960s and 70s before landing his own TV show, Take Time.

What is probably less known is that his self-titled 1966 sophomore long-player is virtually a tribute to Bob Dylan. so enamoured was Harrison of the him, that he cut no less than four Dylan tunes and casually interspersed them with the obligatory-forthe- day Beatles.

His take on It’s All Over Now, Baby Blue actually fared quite well when lifted as a single. So here is the album. A snapshot of an innocent time when be-suited pop stars acted and polo neck-clad TV stars recorded Dylan songs in an almost outmoded school big band style.

It’s All Over Now / God Bless The Child / She S A Woman / Love Minus Zero / Nothing But A Fool / Mr Tambourine Man / Young Girl (Of Sixteen) / To Ramona / Much As I Love You / Like Strangers / All Blues / Tomorrow Is My Turn

They were also known for the humorous content of many of their songs, and their on stage acrobatics were seen as precursors to the wild antics of many later rock and roll groups. In the 1950s, they moved closer towards an R&B influenced sound, but were unable to weather the influx of rock and roll. Nonetheless the group was considered a strong influence on bands such as their contemporaries Bill Haley and His Comets, and they were in fact one of the first to record Haley's "Rock-a-Beatin' Boogie".

The group were featured in several films in the 1950s including The Girl Can't Help It and Don't Knock the Rock, which helped make them one of the most visible and popular bands of the early Alan Freed era of rock n Rolls. So here we have 30, count 'em 30 of their finest moments...how can you say no?

Everybody Get Together / Why Do You Get So High, Shorty? / Go! Go! Go! (1951 Version) / It Rocks, It Rolls, It Swings / Rockin' On Sunday Night / Hi-Ho Silver! / Rockin' Is Our Bizness / This Is It! / you Know, Yeah! TIGER / Bug Dance / Rock-A-Beatin' Boogie / Out Of The Bushes / Rock 'N' Roll Call / Good Rockin' Tonight / Go! Go! Go! (1955 Version) / Everything's Wild In Wildwood / Trapped In The Web Of Love / Rock-A-Way / Sorrento / Lover, Come Back To Me / Cool It, Baby! / (We Want A) Rock And Roll President /Hey, Jacobia! / Drink Wine, Spo-Dee-O-Dee / Madune / ThE Longest Walk / Rock, Calypso Joe! / Holy Mackerel, Andy! / Oo-La-La / Goodnight Irene