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Roughneck Blues 1949-1956
CRBAND26

 
San Antonio Rose - Grady Martin & His Slew Foot Five
My Window Faces The South - Red Foley With Grady Martin & His Winging Strings
A-Sleeping At The Foot Of The Bed - Little Jimmy Dicken
Chattanoogie Shoe Shine Boy - Red Foley
Diesel Smoke, Dangerous Curves - Burl Ives With Grady Martin & His Slew Foot Five
(Now And Then There's) A Fool Such As I - Dottie Dillard & Jack Shook With Grady Martin & His Slew Foot Five
Hillbilly Fever - Little Jimmy Dickens
Birmingham Bounce - Red Foley
Don't You Worry - Cecil Gant
It Ain't Gonna Be Like That - Cecil Gant
I'm A Big Boy Now - Justin Tubb
My Girl And His Girl - Danny Dill
Roughneck Blues - Al Terry
Bird Dog - Don Woody
Juke Joint Johnny - Red Sovine
I'm A One Woman Man - Johnny Horton
Baby's Gone - Vernon Claud
Shake Baby Shake - Wayne Raney
All I Can Do Is Cry - Wayne Walker
It Would Be A Doggone Lie - Autry Inman
I'm Hungry For Your Lovin' - Danny Dill
Three Alley Cats - Roy Hall
Rock Billy Boogie - Johnny Burnette
Crazy, Crazy Lovin' - Johnny Carroll & His Hot Rocks
You're Barking Up The Wrong Tree - Don Woody
Bigelow 6-200 - Little Brenda Lee
Everybody's Rockin' But Me - Bobby Lord
I'm Coming Home - Johnny Horton
Rock Around With Ollie Vee - Buddy Holly
Modern Don Juan - Buddy Holly
The Train Kept A-Rollin' - The Johnny Burnette Trio
When My Dream Boat Comes Home - Grady Martin & His Slew Foot Five

Grady Martin plays the memorable riff on Roy Orbison's "Oh Pretty Woman." That alone makes him candidate for Rock 'n' Roll sainthood! However, he also helped invent 'guitar distortion.' A tube was blown in the middle of a take at a Marty Robbins session and the resulting fuzz-toned solo was left in the song, the 1961 smash hit "Don't Worry."

Besides Chet Atkins, Martin was the only studio musician to play with both Hank Williams and Elvis Presley.. It was he who played the throbbing leads on Johnny Horton's 1956 hit "Honky Tonk Man," the exquisite nylon string guitar on Marty Robbins's 1959 crossover smash "El Paso," and Lefty Frizzell's 1964 "Saginaw Michigan."

Though studio musicians in those days rarely received credit for their work, Martin's efforts didn't go unnoticed. Producers often designated him "session leader," which meant he led the musicians and directed the impromptu arrangements that became a landmark of Nashville sessions. First ever CD collection of the finest work of this Nashville legend, beautifully re-mastered by Norman Blake and Joe Foster!
 

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9.95 plus postage
H-Bomb Ferguson
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